#like the title is so bizarre

[mycological-mariner]

There’s a writing workshop I go to every two months where we write short pieces and read them out. I think I’ve just come up with the most horrible, hilarious, devastating, embarrassing and bitterly hopeful story and I’m writing it right now, it’s making me emotional

[mars-ipan]

Hi, it's me again. I decided to follow your advice and try to seek out your 'actually serious' analysis, which led me to your komahina bible, the most easy to find compilation of this supposed analysis. Here are my thoughts-

1) Overview

- Most of this 'analysis' isn't analysis but a summary/overview of the game. It's not so much a 'bible' as a children's book summary of the bible, which at that point it would be better to play the actual game itself. It's clear it was made for a presentation on the 'uninitiated' if you will, but if that's the case, you shouldn't be advertising it as the literal bible on the subject.

- When you are not regurgitating points from the game beat by beat, the screen is halfway filled with either manga panels or fanart. My gripes with manga panels are, that even though they do depict the events of the game, the way they can be depicted by the artist can be pretty subjective due to the freedom of the medium in comparison to sprites, and that the role of one character can differ depending on whose pov manga it is (chiaki vs nagito). Fan art therefore should be scrutinized even more since it fully depicts abstracted and even the fandomified version of events, leading to situations where it's either unclear what is actually happening or betrays your more shallow view of the characters (i talk abt this later.)

- When you do use pictures directly from the game it's either a possible screenshot from a memorable moment or dialog from the wiki, limited almost exclusively to the freetime events. This leads me to believe that you haven't actually played the game(there are other factors hinting towards this) or watched a Let's Play of it, but going off of merely information that's already widely known and circulating within the fandom, and easy to search on the wiki.

2) Incorrect/Questionable information

Here I'll compile a lot of information that's either plainly wrong or baffling to having come to that conclusion , leading more credence to the theory that you either haven't actually played the game or your memory of it isnt as good as you think.

-"if Nagito's plan went off of without a hitch, he would have killed anyone that was closes to him at the time" plainly wrong. Komaeda's goal from the start was to make himself the victim, so by dying this way his death could have meaning and help the others. For somebody that keeps talking about Komaeda's "Martyr complex" this is truly a weird take to have.

-"Nagito...got the nurse for sure sick" is there any proof that specifically points to Komaeda for this? I believe the takeaway should've been that Mikan got sick because she was around all of them AND she overworked herself trying to take care of them. Is this just an awkwardly phrased attempt to make more of a connection between Tsumiki and Komaeda? I don't think you needed more than the ones that already existed.

- "he helps Junko brainwash a bunch of students" Kamukura at neither point in the anime or Danganronpa 0 was ever specifically implicated in the brainwashing. He never 'helps' Junko, especially in that way. If you meant, participates in the student council killing game, you should've said that, but even then his agency and influence is limited.

-"they found the Remnants and captured them!"...no, they didn't. The Remnants presented themselves as survivors and the Foundation took them in. They handed themselves over willingly. It was a pretty big piece of the final part of the game...

3) Komaeda and Komahina

- "Nagito's habit of putting people on pedestals" Where. Sure, he certainly parrots the belief that the "Ultimates" as a unit are at the top of the food chain and should be prioritised, but its clear that doesn't exactly carry over to his classmates like teruteru, Kuzuryu and even Souda sometimes. Just because of a few positive comments refering to them as Ultimates and the trial which he literally breaks down in, this is a hard position to support.

-"Nagito manipulates Hajime into playing the game" How. He literally just told him to play it. How is that manipulation. Also, isn't it a bit unfair to put the blame on Koizumi's death to him as well? I think they were multiple factors playing into this, but sure, how else are you gonna convince people that Komaeda is a twisted fucking cyclepath that loves leading people to their deaths.

-The way that you say the Kuzuryu/Pekoyama relationship mirrors Komahina as 'I will give up my agency for you/ I just want you' is also confusing. Unless of course you mirror Peko's struggle with her agency and harmful beliefs the clan enforced on her with Komaeda's own belief system, in which case, idk man, i feel like you are giving a bit too much credit to the supposed severity of Komaeda's views and trying too hard to make Hinata the 'rational' and 'grounding' one in the relationship.

- Again, the amount of times you refer to Komaeda as a freak for doing something 'weird' or even being drawn weirdly doing it , mostly in the manga, makes me belief this isn't just an affectionate tongue in cheek joke as you claim, but an actual way in which your interpretation of Komaeda is colored.

-"it doesn't excuse his nonchalance towards tragedy and murder but explains it" what needs to be excused here exactly? Komaeda doesn't need to immediately bawl his eyes out when someone gets killed or else he's suspicious and...bad? I am confused with what you mean by this. If you mean that Komeada shouldn't be so nonchalant about murder because he's constantly trying to kill someone else, that is plainly incorrect and i explained above why.

-Posturing about Komaeda's 'black and white thinking' while in the next exact slide you show fanart of him smugly explaining he has Borderline. First, i want you to explain to me the black and white thinking in a way that isn't "oh, the friends and classmates i previously liked turned out to be fucking terrorists". I think that's a pretty justifiable situation for your thinking to go from white to black. Also, if that is enough credence to assign Komaeda BPD, you really don't know how BPD works, especially since you assigned it to the one character you constantly talk about being a freak (and also lust...pseudo lust? after).

- The insistence with Hinata not really understanding Komaeda and running away, even if he wants to understands him is pretty suspect, especially when compared to the game. Hinata is confused and overwhelmed yes, but it's not just that he wants to understand Komaeda but that he still feels fondness for him, he still follows his advice and puts his faith in him and the way he mourns him in Chapter 5 is also pretty indicative of this. It's just another part in the pattern in you making Hinata the confused, rational, 'morally pure' man that's 'tempted' by 'corrupted' manic pixie mentally ill demon Komaeda. Something tells me your priest AU isn't so much playing with dolls as much as...what you actually believe these characters dynamic is.

- The whole page where Servant is basically made into a joke about how hot and sexy and freaky he is doesn't help your point either.

-The most damning evidence of course is a drawing in the second to last slide, wherein Komaeda is supposed to be analogous to 'guy who has something wrong with him' (distorted, freak, mentally ill) and Hinata is analogous to the guy that 'is the only one that understands them' (the rational one, the relationship of understanding doesn't go both ways).

- Your slide with sources is pretty vague and unclear. Also the way that you credit "Your superior mind" before the game itself when all you've been doing is repeating and misinterpreting the plot of the game is ...ironic

So yeah, that's all I got. Feel free to 'debunk' my observations as much as you please, I just want to know if there's actual basis behind everything you just said or I should go digging for 'the actual serious analysis' yet again.

i think you forgot that fandom is meant to be fun

[queeringclassiclit]

Philip Lombard

from And Then There Were None by Agatha Christie

submitted by anon

[chirpsythismorning]

The Bizarre Love Triangle playlist is finally here!

📝 ☎️ 🎨 🛼 🌈⏮️ 🫀 💡

I've been working on this playlist for almost a year now, sharing piece by piece slowly with gifs accompanied by lyrics, which are meant to encapsulate what I think each of these characters were feeling at the time. This playlist goes in order narratively, so if you want the full experience, be sure to click start below to see where it all begins!

START ▶️

Tracklist

You're the Inspiration

Will You Still Love Me Tomorrow

This Is the Day

The Great Pretender

You've Lost That Lovin' Feelin'

Who Can It Be Now?

I Need You

Bizarre Love Triangle

You've Really Got a Hold of Me

I'm Not In Love

Words

Sorry Seems To Be The Hardest Word

Dust in the Wind

I've Been Losing You

I Want to Break Free

Enjoy the Silence

Secret

Always on My Mind

The Chain

It's Too Late

How Can I Be Sure?

Alone Again (Naturally)

Alone

Just the Two of Us

The Promise

Never My Love

At Your Best (You Are Love)

Landslide

Wouldn't It Be Nice

The Flame

Is This Love

Goodbye Yellow Brick Road

Ever Fallen In Love (With Someone You Shouldn't've?) - BONUS TRACK

I Know There's Something Going On

Slippin' Through My Fingers

More Than Words

If I Can't Have You

What You Won't Do for Love

Total Eclipse of the Heart

Time For Me To Fly

I Will Survive

Blue Moon

If You Leave

Somebody to Love

Don't Dream It's Over

[si-fii]

Pyromiru is real and almost complete

After about a month in the works, Pyromiru is happening on a youtube near you (in the near future). Can't believe I'm actually finishing this...I don't think I've ever undertaken a video project this big, especially not one using SFM.

Shoutout to the other chirumiru tf2 parodies who absolutely inspired this one, check em out!

[shoechoe]

Since i diacovered your blog i just see you as diavolo irl so Its so fascinating seeing you talk about diavolo in 3rd person everytime. My brain just goes "why are they talking about themselves that way oh right they're not actually diavolo" and its wack i have to remember this

Which in turn ends up sounding like something hed do. oops

i have been assigned diavolo kin by anon. i feel accomplished

[leqclerc]

i’m glad i’m not the only one worried here. great for the team and all, but this feels like chaos waiting to happen. i thought we finally had it. even if we didn’t get a wdc, they couldn’t even bother to try and prioritize charles for once.

You're not alone in feeling like this! Being worried and not immediately jumping for joy and accepting every decision the team makes isn't any less valid. Because this is weird, this is unusual, this is something I never thought would happen. It's a lot to process. I've cycled through all five stages of grief today, from "oh lol funny memes" to "alright what the fuck does this mean for Charles?"

I get that a lot of people are super hyped about this, especially if you've always supported both drivers, I get that it must feel like a dream come true.

I'm so conflicted because on one hand, okay, maybe our concerns are unwarranted, maybe this will be the best thing ever, just what the team/Charles needs, massive success all around. But unfortunately I'm a chronic overthinker with pessimistic tendencies so of course I worry 🧍🏻‍♀️

But also, like you said, I thought Ferrari were done with bringing in world champions in favour of making world champions, you know? This just feels like it's going to complicate something that's already very volatile and complicated all on its own (see: plethora of issues that usually held Charles back, whether it be mismanagement or poor strategy, etc.) It already felt like everything needed to come together perfectly for him to maximise his chance of winning and now they throw this massive curveball and I really don't know what to think. Especially given the "multi year" deal (2+1 is I think the version journalists have settled on.)

It kind of just feels like the issues that already existed with Sainz will be magnified, you know? The media machine around Lewis is huge, so that's going to be ten times as intense (Sky is already putting down Charles and it's just going to get so much worse), the fan wars ten times as intense... It just feels like he can't win in any scenario, like all the work he's put in so far to get Ferrari back to their winning ways will be overshadowed by the new big star signing. If they create a competitive package and start winning when Lewis enters the team (even if Charles did the heavy lifting in terms of feedback and development) he will be credited for the team's success. I mean, just look at the way this misleading narrative of Carlos "single-handedly saving the strategy" stuck. Oftentimes people don't care about the facts, if a narrative appeals to them they will perpetuate it.

Plus, there will be so much pressure on Ferrari to "get Lewis that 8th title!!!" Mercedes's inability to do so soured a lot of fans' relationship with the team. If Ferrari really puts team interests above driver interests, then I'm sure they'd see the value in being the team that makes that happen. History book worthy stuff. Kind of concerned that in the midst of that Charles and his ambitions and goals might fall by the wayside. And he's got way more to lose in this situation—no matter how Lewis's time at Ferrari goes, he's a multiple WDC, no one's ever going to take that away from him. Same with Fernando, same with Seb. Charles has never even had a proper chance to go for one title with the team yet.

Like, if you think about it, you have clear "eras", right? Someone says Red Bull, you immediately associate them with Max and/or Seb. Lewis will, I think understandably, be associated with Mercedes due to his long stint and all the success he's enjoyed at the team. I guess I imagined that Ferrari was finally gearing up to be that with Charles going forward. But this shakes things up massively and while winning a championship with Ferrari was already a tall order, now it's, like, full on a herculean task.

[harpalion]

moonseeker and creed............. i want to talk about them but i'm trying to be less insane in general it's not working though. i'm going to bite off my hand

[la0hu]

read And Then There Were None by christie today and 1) i was a little unsatisfied with the epilogue because i wanted the mystery to be more of a "fair" one where the reader could feasibly guess who had done it (and spoilers, but i was completely misled by the killing of my prime suspect and annoyed with the twist at the end, which i'm realizing glass onion copied exactly lol), and 2) i went onto wikipedia to read up more context and the original title was WHAT?

[misterradio]

had a dream i was looking at the imdb page for a nonexistant movie that looked cool. NOT FAIR

vandalism on the page made it hard to know what the title was but it was called "hypergogia" (playing on the word hypnagogia) and there was a subtitle along the lines of.. amazing / unusual dream.... idk. fitting bc it was a dream tho.

[jaythelay]

"legally" obtained Cyberpunk and it's been a ride.

It's a very confused game. Much of it feels undesigned, like they had an idea, implemented it, and barely adjusted it from there. That's not a claim, that's what it feels like, to be clear.

To me, it's weird having an open world at all for something that thus far feels like hallway after hallway designs. Sometimes it gets so absurd, like climbing very boring rubble with little to look at to continue the story, and it's got platforming but I can only ask what would be lost if they did anything else? One time so far an elevator failed, so I had to walk left, press F, then it came down and I could continue normally. What. Was the point.

The inventory system is as cool as it feels undesigned. All the UI is terrible and none of the stats carry meaning. It's just how they shoot differently, and that, is really cool. I found a sniper rifle that shoots 9 shots in a circle, that's cool as hell. Gives me borderlands vibes, but I imagine every gun like it does the same, so it starts to feel more like they had far too many designs and didn't want to leave any off the table. I'm usually fine with this but the sheer abundance of the exact same weapon duplicating in your inventory is rather undesigned feeling. Idunno what to dissasemble nor where to put shit up. Though the fact some are shooting differently from one another is rather refreshing in the FPS scene.

I skipped the intro. Fully expected the intro to take far, far, far too long before anything of real interest happens. As far as the story goes it's confused. I'm saving the US president? In the first hour essentially? Eh, honestly the president has been pretty fuckin' badass so I'm able to focus on her characterization more than her job being The Most Importantest Thing Everz (we can't write story but can characters, aka) I'm a Street Punk who suddenly is protecting America's Democracy ans president.... yay cyberpuuunk....

Performance is all over the place and visually the game is incompetent without raytracing. It looks fine enough with RT, but without, oh wow, nobody spent much time on that. HDR settings are fake and meaninglessly unusable like most games, no setting other than RT seems to improve performance either. Even upscalers aren't doin' nothin'. Primarily the lighting and brightness of the game is downright awful. Simple Darks becomes Black and Brights become White. You'll be needing Reshade for this one folks, I can't stress enough how much work it took to get the game to be Visible??

In terms of gameplay, man what's going on with the scroll wheel for weapons. The hell are these god awful claws? Why do they keep showing up when I'm scrolling through guns? I'm in the middle of a firefight trying to switch to a sniper and they pull out fuckin claws? Can't even unequip them and melee in the game has thus far proven rather poor, fruitless, unfun, and not worthwhile. A real joke of a weapon forced into your weapon scrolling. Can't quick change either, gotta wait on the pull out animation. Gunplay is...bulletspongey for the sake of it. They had big guys with big guns at 2 points so far and I've never been able to use their gun on a single enemy thus far. It's cool they don't just ragdoll upon death, and play an animation as long as they're being shot, though, maybe the giant mech could've ragdolled when only it's toe was on the upper floor.

Exploration is borked head to toe. There's one section where you're on the story path, and ya look around every possible direction but forward, just to eventually find a small square of the area in between doesn't have double jumping for some reason. So you double jump in areas you can to explore and find....absolutely nothing there was 0 reasons to have a random square non-double jumpable and exploration didn't matter other than ammo...of which the game gave me 999 for every single one basically at the end of every encounter? You're never gonna go below 700 bullets. Might as well not even bother with ammo pick ups? It's really, really "undesigned" stuff.

In order to get what feels like a rather essential and basic skill, I have to unlock an entire section for? with like 13 points or some shit I have NO CLUE where to obtain? Leveling up in general is exceptionally poor. Nothin' is organized or makes an ounce of sense. There's 40 different things to level up and 0 direction for what any of it is. Just kinda...saving points til I can actually buy something...rather simple? Meh.

Hacking is an absolute joke. I sincerely hope whoever designed that crap never gets another job in gaming. It's indescribably bad. There is no way to elaborate. You see it, and genuinely want to punch the creator of it. Bad. Exceptionally so and doesn't take much time to realize it.

Oh and they have QTE that uses the Dialogue Box for input. Absolutely. Hilarious. I don't even know if I should call it bad, if it works it works, but man, it's really lame, rather lazy feeling. Imagine if Fallout had QTE using their dialogue boxes, it feels rather poor.

But bizarrely, despite all this, I can't say it's been a bad time. I haven't gone "Bro what even is the point in continuing" or "Wow ya'll really didn't think to playtest this part huh." nah it's been fine. A decent middle of the road 6/10 experience that you easily can get elsewhere and better. But it's not dreadful. It's interesting in some areas, the MC's writing is unbearable to enjoyable, the other characters....exist. The designs of everyone is dogshit, Idunno who said Cyberpunk needed the ugliest looks but boy they went with it.

I don't reccomend it however. It really has been middle of the road generic slop. Far too much of a budget for the gameplay it actually is, and thus far too costly given the price. Get it on sale for 20$ bargain bin prices and you'll have a fair trade. Surprisingly playable, but unsurprisingly incompetent, but even more surprisingly, not a bad time. Just not a very good one. You'll feel a higher quality in indie titles, as usual.

It's confused as hell and doesn't got a clue what it is or wants to be, but the ideas inside, while not well executed, do keep the game feeling fresh at times. It does feel a cut above the average FPS in moments, but it overall does nothing better or new than any previous game similar. Just shootin' guys, poor stealth mechanics, and endless talking, with dogshit exploration, in poor level design sections. But it's fun enough to not focus on all of that, the pace of the story keeps bad ideas from lasting too long (sans the giant mech fight nobody playtested) but in turn you're gonna pass out waiting on story to give up it's stolen turn of fun so you can get back to having fun. It really does start to become "okay when does gameplay happen?" after a while. Dialogue choices thus far are frivilous.

It's just...confusing this game had so much time and budget...there's...nothing here. Nothing to indicate it took a decade and a half to come out. Not one aspect feels like the budget helped. Just the graphics which have awful visuals without RT. How does a game made a decade before RT existed, look horrific without it?

Oh and the bugs and jank. It's not as bad as release day but this shit's Jank-yyy. Like people just...spawn inside you. Or walk into walls? One time an enemy's feet was stuck in the ground... It's not embarrassingly bad like most modern titles, but it is noticeably poor at times.

I don't have much else to say. I wouldn't even say much about this if it didn't have a marketing team ensuring people made claims of the game based on emotion they created in their head based off concepts in the game, but not anything actually in-game. It really is a generic slop of an experience, but given today's standards, I guess that's high quality now. Meh. It's not horrific, just...forgettable. Nothing in here makes me go "Oh man I wish my friends got to experience this!" it's just mindless for the most part. I sincerely don't see the hype for the game, it really is amateur hour between the higher budgeted sections for story primarily if not solely.

Why bother with an open world if you're just gonna make a streamlined linear experience? There's no reason to go killing at random and less reason to explore. Rather empty but cluttered with the exact same burrito vending machine over and over. NPCs got nothin to say. It really is just a confused game top to bottom. But the difference between other confused titles and this one, is they actually seemed confident enough to make poor ideas into unbothersome ideas. From mediocre to decent.

I just Do Not Think anyone had a clue towards game design on this product. It's painful how confused it is. And it's even harder to explain such a point in a game riddled with half-ideas polished into half a doorknob. If I were best to describe it, it feels like 4 teams worked on the game at the same time, and then they had to put it together at some point far too late to fix any inconsistencies or poor designs. Like they had 4 versions of the game and grabbed what worked best from each and put it in with reckless abandon.

At no point does it feel like a path was fully intended. It just feels like they're using assets they only just saw and only were just provided. Exploration is the largest part of this confusion factor, as it's just dreadful.

Anyways, nah this ain't a rant. It's more of a "Wow despite all of yourself, you're still fun" it feels like if a bargain bin game got far too much of a budget and too long to develop, but the devs were passionate enough to make it work regardless. It's impressive in that, despite all it's flaws, you can still have a pretty above average time in it, just...don't expect anything revolutionary or approaching as much. It's all ideas you've seen before and done better half-slapped into here with little regard.

But it is fun. It is decent. Just not...the size of it, good, the size and passion of the community, good. It's Greg levels. Ya don't hate Greg, but ya don't really want to be around them, though when you are you never have a bad time. That, is Cyberpunk 2077. Greg.

[chirpsythismorning]

🎨 🖼️ 🌈 🩹 🧍🏽💡 🔮⚡️☄️

Goodbye Yellow Brick Road by Elton John

previous ⏪︎ now playing ⏩ next back to playlist

[thetangibleghost]

I gotta confess it is so much more fun talking to Sal as if he is a separate person like he wants and not a member of the system. He's super creative like. Its just fun.

[teaboot]

You know being transmasc after a life of growing up as the sole "girl" in male-dominated areas gives you a weird and complicated relationship with gender identity.

Like... being told straight to your face, "you're naturally bad at this cause you're a girl", "you're naturally weaker cause you're a girl", "you can act tough but you'll always just be a girl", "stop acting like you can keep up with the men", and even the well-intentioned, "Yeah women are like that, but you don't count, you're basically one of the boys"...

It leads you to this weird space where it's like. "Fuck you, women kick ass," and then busting yourself up to prove that you, a woman, *can* keep up, and not only keep up but do it better than anyone else, and taking pride in your femininity because it's not a fucking weakness, but at the same time knowing that... You're not a woman.

You're not a woman. You're not a girl. People just see tits and curves and decide that nature made you delicate, and then all of a sudden it's your responsibility to prove that you're not fucking weak, women aren't weak, while also saying, "I'm not a woman, though."

It's... bizarre.

I'm not a girl. But so long as I'm interpreted as one, I'm still gonna be held back by the same stereotypes. But if I ever stop being interpreted as one, then all the hard fucking work I put in to excel in my field is going to go down the toilet as "just something you can do because you're a man".

And fuck that. That's stupid, too. Guys shouldn't have their effort taken for granted like that, and it stings extra hard because you remember people just naturally assuming you suck and earning respect only to lose it immediately the second you step over to the "man" side. Because you've worked your whole life for something that as a man you'd just be expected to have naturally.

You SEE that shit staring you in the face, and worst of all people still walk around you in plain view and still talk about how women can't do shit and conveniently forget that you've BEEN ONE. "Because you were a man all along" or "because you overcompensate to prove yourself", whatever they think of to justify the cognitive dissonance that keeps their narrative going.

Nobody seems to consider that I'm not really different from women OR men, because those differences don't exist.

I'm not "naturally better" than women because I don't identify as one, and I'm not "worse than" men because I wasn't assigned the title by a third party. I'm just a person. We're all just people.

I'm just tired, man.

[bakanokiwami]

any chance you would do a chart race for the web series category?

I can work on one! :) Might take a week or two though. ...Or three.😂 But we'll see!

[thepersonperson]

Why the hell is JJK 270 called Dream's End?

JJK 270 being titled Dream’s End is so fudging ominous. That’s some Umineko type beat. I’m not sure if I should even judge this chapter as presented because of this. In fact, I'm holding off on posting the other analysis I had for today since I no longer am certain of what JJK 268–270 are.

There's two lines of thought I have:

1) Gege suffering from burnout and bad working conditions plus rushing has caused the writing to decline.

2) Gege still has a hidden ace saved for the final chapter and the weird writing is deliberate.

I'm going to humor Option 2, but only because the title of this chapter is called Dream's End.

(The most 'hear me out' discussion under the cut. Using TCB scans and leaks. Click images for captions/citations.)

[Small Update: Follow-up Discussion on why everyone feels OOC.]

Preface

"Without love it cannot be seen."

This is a phrase and philosophy I have borrowed from Umineko since I've started these JJK yapfests. It essentially boils down to 'discard your negative biases and try to examine things in good faith.'

JJK 268 & 269 have fudging tested that for me. I've been giving Gege and the characters a pretty hard time with the caveat of knowing how exploitative the manga industry is. I initially rejected the idea that these chapters were to be taken at anything other than face-value because of this. In fact, I cited the JJK 268 chapter title of Finale as a reason I've accepted things as is.

And with that same logic, I'm now doing the opposite... So hear me out! I've got some pretty good reasons to be doing this.

What's wrong with JJK 268–270?

There's a lot of things in these chapters that are fundamentally inconsistent with what's been established in throughout the manga. If we use Option 1 to explain these contradictions, these are last second retcons because Gege forgor.

Option 2? We're about to have the rug pulled the hell out from under us because the last 3 chapters have been delusions.

What first tipped me off to something possibly being wrong on purpose was the fate of the incarnated culling game players in JJK 270. Not too long ago it was established that the souls of non-sorcerers in vessels were unsavable.

The souls are suppressed in a way that distorts them permanently or their consciousness is outright destroyed. They were gambling on Megumi's survival due to him being a sorcerer and Sukuna's incarnation method being unique. 99% of them will die and those who survive will likely be vegetables, so why is there a sudden gamble on their survival in JJK 270?

It's such a neat and fine bow to tie this mess up that goes directly against existing lore. It's so ideal that it has me suspicious.

Brain damage from sorcery on non-sorcerers has been established as extremely taxing. I think about Gojo's Unlimited Void (UV) the most when it comes to this. Non-sorcerers were hit by it for 0.2 seconds and required medical intervention for 2 months to fully heal from it. Sukuna, the absolute strongest, tanked some of it and it affected him for the rest of the battle. ...And then we have Megumi who was under it for about 6 minutes and seems to have very little problems from it.

This is bizarre. Someone who underwent the month long bath and UV without Reverse Curse Technique (RCT) should be struggling to even stand after waking up. Sukuna had RCT and the Gojo brain damage still took him out. This screams of inconsistent writing unless...this is a deliberate hint that something is amiss.

I want to draw attention to the panel Megumi's UV damage is addressed. Just about everyone has been seemingly waiting around in the same spot for him to wake up. It's a bit weird given that sorcerers don't usually do that. They usually get a move on asap. And after the destruction of Shinjuku and the Culling Game Players still running about, why would they take a breather to discuss their plans that worked?

But that's not what started bothering me about that panel after reading JJK 270. It's that characters who aren't in the room, start appearing without warning. Look who is behind Maki and to the left. It's Kusakabe. And to her and Yuta's right? Inumaki. So why is it that Hakari, Kiara, and Ino are in Kusakabe's place while Todo spawns where Inumaki is? (And Yuta is facing the wrong direction too.)

That's pretty fudging weird right? You can chalk it up to Gege forgor but it doesn't stop there. Higuruma enters the discussion in a way that causes Yuji to pause.

Why is Yuji surprised to see him? (And where the fudge did he come from?) Shouldn't he know of his survival by now? And why is he in a cast? Higuruma had learned RCT and fully restored his arms before leaving the battlefield. If he's conscious, then he should be able to heal himself fully no problems.

And that got me thinking... Why is Yuji still missing his fingers?

It was established that he kept his fingers unhealed to help with Yuta's plan. This means that if he won, he has no need to keep them missing. Yuji has fully regenerated missing chunks of his face, including his eye, and stomach. He has RCT just like Higuruma. But it doesn't end there either. Yuji's number of fingers on his left hand keeps changing.

4 fingers, 3 fingers, dubious amount of fingers, 5 fingers. Once again, you can chalk it up to Gege forgor, but JJK 270 came out and the same problem started happening with Megumi's scars.

The same mistake is made within the same set of panels and very big page. That's weird.

ONCE AGAIN, you can chalk it up to Gege forgor, but when these errors occur, like with Yuta mistakenly having his ring on in JJK 251, Gege will note the mistake outright. Gege has made no such comments for Yuji's fingers or the scars. This many “errors” in row when Gege has otherwise been careful with these features could indicate it really is on purpose. (Kind of like Sukuna's everchanging mask. The thing was just moving around and pulsing. That was deliberate not inconsistency.)

What does this mean?

I think it means what we are seeing isn't reality. After all, the most common way to tell if you're dreaming is being unable to count the number of fingers on your hands. Another way to tell is the distortion of faces.

Readers have noticed that something is wrong. The weird timeskips, the lack of lasting consequences, design inconsistencies, characters behaving like similes of themselves, death and pain being glossed over like it's nothing. It all feels so off. But it's still close enough to the original to be somewhat believable. ...Is that not what it's like to dream and not know you are dreaming?

Why is it that the chapter titled Dream's End ends with the hunt for a curse user whose ability is to distort the perception of reality?

Dreams and Delusions in JJK

We already know Gege weaves Buddhist symbolism and ideas heavily into JJK. I'm not an expert in Buddhism at all, so there's a lot of it that goes over my head. I decided to look into if dreams are significant in Buddhism and boy howdy are they. Quoted directly from the source:

"Dreams can be a message from a Bodhisattva, an ancestor, or a god, The intent of the dream may be to test the dreamer’s resolve: is he non-retreating (avaivartika) from Bodhi (enlightenment) even when sleeping? The purpose of the dream visit may be to communicate information vital to the dreamer’s well-being. The Buddha himself had five dreams of catastrophes, falling stars and worlds in collision just before his enlightenment. The dreams were sent to him not by a benevolent Dharma-protector, but by an malevolent sorcerer, intent on disrupting the Buddha’s samadhi and preventing his awakening."

In summary, (correct me if I'm wrong) dreams appear to be seen as another state of being just as valuable and impermanent as reality.

There's also this other bit I'll quote directly.

"The most common use of dreams in the literature of the Mahayana, or ���Northern School” of Buddhism in China, Tibet, Japan, Korea, and Vietnam is to see dreams as a simile for sunyata, (emptiness) the hollow core at the heart of all component dharmas (things). For example, in the well-known Vajra (Diamond) Sutra, the Buddha taught that:

“All conditioned dharmas, are like a dream, like an illusion, like a bubble, like a shadow, like a dewdrop, like a lightening flash; you should contemplate them thus.”"

That's starting to sound like what Yuji's Domain does, right? He projects memories that did happen and mixes them with delusions and dreams. Sukuna and Megumi both experience this in full.

It's incredibly suspicious that it hasn't been named yet. Yuji is the son of Kenjaku who has a domain based on the Womb Sutra/Realm...which is paired with the aforementioned Diamond Realm to encompass the entire Dharma. It's very likely this is what Yuji's domain is—a realm of dreams and reality combined as one.

Unreality Runs in the Family

When Sasaki Setsuko "wakes up" as the Culling Games begin, Kenjaku explains her situation with this:

What follows is a sequence that cannot be described as a dream. It seems to be a blend of reality and hallucinations. But that's not anything strange, Sukuna does it too with Kashimo in reverse.

As you can see, both the positions of the characters and even the backgrounds change suddenly from reality to ??? and from sequence to sequence. It's all incredibly dream like.

Another strange thing about this space is Kenjaku creating it as a part of an escape route Binding Vow. You know, the kind Sukuna uses for Malevolent Shrine.

What I want to draw attention to here is this reality-dream state somewhat requires consent (in the loosest possible definition) to appear. The person entering this state has to desire it themself. We see this with Jogo and Gojo who are mutually interested in having a relationship of somekind with Sukuna. (Same with Kashimo.)

(It's also very hard to tell if they are dead or still in the process of dying during this.)

This is where the delusions Yuji projects differ. They are forced onto others when he is near death or severely injured, seemingly as a defense mechanism.

And would you look at that...the syntax is identical for Todo and Choso's Brother Yuji Delusions. "At that moment, a memory was born inside X's brain...of a past event that never happened." It's kind of like how Yuji replaces Gojo in Megumi's memory to reach him. It's also very strange that Sukuna, Choso, and Jogo go "What is this?" to this in-between space.

My point here is that Yuji having access to this space has been hinted at since the start of this manga and that it was inherited it by blood. (Totally Not Kenjaku showing up with Takaba Mr. Reality Warping CT in JJK 270 supports my case too I think.)

What does this mean for JJK 268–270?

The battle ended in JJK 268. Of that I'm certain. What I no longer know is if anyone survived.

A common complaint about Sukuna's death is his lack of an afterlife scene. Everything ended so abruptly. And then Megumi wakes up.

It's so jarring in out of place. ...But that's how all scenes involving the space between dreams and reality begin. Sasaki Setsuko "wakes up" once and then again. Most of us have experienced those kind of dreams right? (They made a whole movie about it called Inception which is based on the movie Paprika.)

There's one other thing I need to draw attention to. Yuji's Domain shattered after Sukuna cast Domain Expansion (DE).

When a sorcerer withdraws their domain voluntarily, it does not shatter. Gojo has demonstrated this for us in quite clearly.

When a domain is broken by force, it will shatter and shards will scatter. When a domain is withdrawn, no shards are left behind. Yuta uses these facts as a part of his plan. In JJK 252, it's revealed by Kusakabe that Yuta shatters his own domain on purpose to trick Sukuna into thinking he won.

What this means is that some kind of violent action needs to be taken to shatter a domain. Yuji's domain is massive and his attacks only targeted Sukuna. What could've shattered his domain all at once? He's not had the time to practice shattering parts of it like Yuta.

Gojo has shown us what a uniform domain shattering looks like—it happens when Malevolent Shrine activates. (Please note that the sfx used for Sukuna breaking Gojo's domain is カシャア. It's the same one used for Yuji's domain shattering.)

I'm proposing that we've been in unreality since the end of JJK 266. Sukuna and Yuji are both severely injured, on the verge of death, and have a connection with each other. These are all conditions that trigger the space between dreams and reality.

And I must remind you that Yuji first triggers this event with Todo after a severe head injury. Right before Sukuna casts his domain, they do this to each other.

Everything that has come after has been perfect for Yuji to a unbelievable degree. Everyone whose death was uncertain is alive and the living are getting exactly what they wanted. The effort behind it and the logistics are all missing. And yes a rushed ending can explain that, but that too can be part of the ruse.

Another massive complaint is that mourning has not occurred. Not for Gojo or Choso despite how much Yuji cherished them. It's like they're being willfully forgotten by the cast despite being crucial to their success in Shinjuku. It feels out of character, especially since Yuji is of the few that showed concern for them no matter what.

But if this is a delusion on the brink of death designed to bring happiness, why would Yuji think of the dead? He's always been so avoidant with it. When his grandpa is dying and trying to talk about his parents, Yuji tells him to shut up. When Nanami dies, he thinks of him then and then never again directly leading up to his talk with Sukuna. When Megumi tries to discuss Nobara's fate, Yuji ends the conversation as quickly as possible.

The only people in this world are the ones who may or may not be dead. He saw Yuta in Gojo's corpse. The only way that can happen is if Gojo is dead. Yuji has no choice but to believe it. Choso burned away before his eyes. Yuji has no choice but to believe it. He went through some of Megumi's memories and saw Tsumiki's corpse. Yuji has no choice but to believe it.

And since Tsumiki is the only person Yuji wasn't close with, she's the only death that has been outright acknowledged. But not for too long! That would make Megumi sad.

Another complaint is that Sukuna really didn't kill anyone in the final battle outside of those two and Kashimo. The dudebros call it Disney Kaisen. But the fairytale-like idea that everyone is ok? Todo was the one who put that idea in Yuji's head.

And Yuji has always been one to fall to story-like logic when things look like they're finally wrapping up.

"And then everything will be just fine." (Yuji before the worst possible outcome for both him and Megumi happens.)

This is similar to the line Gakuganji uses in JJK 270. "Everything is fine." This line is the whole reason I sat down and wrote this all out without stopping. I know Gakuganji. He'd never say that. This man has been in a state of worry over Jujutsu Society since his first appearance. He doesn't even fully believe in Gojo's cause as someone who values tradition. He's a stickler for details and will do everything in his power to ensure stability. For him to toss Sukuna and Tengen's remains in a shrine and call it a day? Who is that? He's changed but not that much.

And so I compared the raws.

It is very much the same 大丈夫 (Daijoubu). These are Yuji's words.

What I'm proposing is that JJK 267–270 are Yuji's delusions of the happiest possible ending. It's a picture perfect little end where all the trauma and death has no effect on the living and people move on like nothing happened. I don't know if this means he's dead or if Megumi's dead or if they're all dead. But what I'm seeing now? I don't think it's real.

Reexamining JJK 269

CW: Brief discussion of suicide.

Even if this turns out to be a part of the smokescreen, I'm always going to hate JJK 269. But I do want to give it some grace under the assumption this chapter titled Examination (which can also be translated as Reflection) is about Yuji's guilt. Both him and Megumi's tbh. I think their feelings for each other and their situations are driving these delusions. That's one thing about this space that's real—the feelings behind them.

Yuji has a lot of guilt surrounding his existence after ingesting Sukuna, Megumi does too. Straight up Yuji has been seeking death over it since JJK 9.

He struggles to forgive himself for being the centerpiece to violence he had little to no control over. The only thing that upsets him more than that is knowing that his death will break Megumi's heart. He doesn't want Megumi to feel any guilt for it whatsoever.

The kicker is, Megumi already knows Yuji is planning to die. And he wants to do everything to rid him of that guilt. Up until they connect inside of Yuji's domain, they were unaware they shared the same goal for each other.

And that's what JJK 269 is. It's a very cold and harsh breakdown that allows them to forgive themselves. Blame is passed around and ultimately pinned on a combination of Gojo and Kenjaku. (It's really weird Sukuna isn't blamed either, but that's not the point of this for now.)

Kusakabe's comment is especially harsh. Telling Yuji point blank he should've died and that both sides on the issue were valid? He may have believed that to an extent, but he made a point of not telling it to his face. Why have a whole chapter discussing how kind he is only to turn around and do this?

If this is all a delusion, a manifestation of Yuji's guilt and trying to absolve himself of it for Megumi's sake, that makes sense. This version of Kusakabe is what Yuji feels guilt over the most—Everyone's lives being better if he died.

In the same breath Kusakabe tells them to solely blame the adults. It's very reminiscent of Nanami telling Yuji that being a child is not a sin.

It should also be noted that every single time Megumi tries to apologize for being possessed, he's stopped. Maki tears into Yuta without checking in on him, but she asks if Megumi is ok and tells him to not blame himself. JJK 270 is full of this too. He tries to apologize to Tsumiki at her grave and Shoko tells him not to sweat it. He tries to apologize to Hana and she hits on him instead.

This delusion is crafted out of love. It allows Megumi to live in a world where he can move on from the guilt surrounding his possession and saving Yuji. It's all Yuji has ever wanted for him. And now that Yuji knows Megumi wants him to forgive himself, he has no choice but to do that too.

It's a perfect ending for Megumi that's too good to be true.

It must be a dream...

There's another thing I can't reconcile about JJK 269 unless it's a delusion—Todo's explanation for Yuta's plan. It's another one of those glaring contradictions.

In JJK 269 Todo claims Boogie Woogie can't target Maki. But in JJK 259? Todo makes plans with Mei Mei knowing that it works with her.

Either Todo lied...or Yuji never fully knew the plan and that Boogie Woogie could target Maki. Otherwise she would be dead. Her surviving Sukuna's flames would be impossible.

I've already talked about how Yuji believing those who may or may not be dead are alive is Todo's doing. He's always been the one to save Yuji from his breakdowns. But let's talk about his speech in Shibuya.

"Looking for meaning or logic in death...can at times defile the memories of those we've lost!"

Everyone who has read these past 3 chapters has really felt the defiling of Gojo's memory. And it was all in service to a strange logic that helped them cope with all this death. Acknowledging how massive Gojo's sacrifice was would riddle both Yuji and Megumi with immense guilt, so it's best to ignore it for Megumi's sake. (And perhaps that's why Yuji replaces Gojo in that memory.)

"What have you been entrusted with? You don't need to answer right now. However... Until you find your answer, never stop moving."

In a way, JJK 269 is an answer to the question Todo proposed. Yuji was entrusted with saving Megumi. Saving Megumi requires Megumi and Yuji forgiving themselves. And Yuji won't stop moving until it's done. All these time jumps and rushed developments are Yuji moving Megumi forward. He's getting that happy ending even if it's to the detriment of everything else.

What about Sukuna?

When Sukuna respects his opponents and they have a connection, he gives others these dreams before they pass. He's been very impressed by Megumi since JJK 9. It's not out of the ballpark for him to allow Megumi to die satisfied in the way Gojo did. Yuji also seems to understand that Sukuna was manipulated by others just as much as he was. I think that's why Sukuna is spared of the blame for the most part.

I don't think Sukuna won. He's probably dead. But he did warn Yuji not to underestimate him. I think the worst absolute last fudge you to Yuji he could give is this happy ending dream before ripping it all away as he dies.

In Conclusion...

I'm not sure that we're going to get that happy ending. Reggie Star warned us not too long ago.

"...it all comes down to a sorcerer's lies."

Reggie is a lot like Sukuna here, outwitted by modern sorcerers and dying to someone he loathes. Sukuna is good at tricking people. He let Gojo think he won before tearing it all away. Yuta did the exact same thing to him. Or did he?

"Can you do me a favor? After all, you've killed me. Let fate toy with you, become a clown, then die."

If the last 3 chapters are delusions...Megumi will be playing the part of a clown.

Gege said the manga would end with either 1/4 or 3/4 of Yuji, Megumi, Nobara, and Gojo surviving. This of course, could be changed throughout its development, but Gege said the manga is ending in its original vision. There's a real chance that it's only Yuji or Nobara surviving.

Remember, Gege is a troll first and foremost. Somehow Gojo was revived, but in the worst way possible (Yujo). Somehow Gojo did tell Megumi about Toji, but in the worst way possible (dead man's final letter).

Gege also said this about the final chapter:

"I am working hard to create a final chapter that will (hopefully) satisfy as many people as possible who have supported Jujutsu Kaisen. So everyone, please bear with me!"

I can't think of a better way to appease everyone than by making the last 3 chapters nothing more than dream.